Lighting Synopsis.

After going through the script scene by scene Kate and I have created a lighting synopsis for the production. We always had in our minds that we wanted to create a show that was technically demanding. In order to prepare ourselves for the day we have started to create the technical documentation that will aid us for the get-in on May the nineteenth. The lighting synopsis is as follows: A Gothic Tale Lighting Synopsis. When it comes to programming all the lighting and sound cues on the day of the performance we will have a physical document to refer to. This will make the process of the get-in smooth and enable us to complete the programming of the cues quickly so we will have more time to rehearse the cues in technical runs relieving some stress.

Being Without Sight.

In our production of A Gothic Tale, I play the character William the Piano Tuner. William is blind and has been blind since birth. With this in mind I did not want to over-act his blindness. Because he has been blind since birth he is going to be used to his blindness, so in turn I wanted to aim to play his blindness subtly. At first I found acting blind very difficult, it was hard to perform being blind without it looking comic and unbelievable. Early on in my character development we tried to blindfold me, so I could get an idea how might a blind person move when they just have their hearing to rely on. I found myself concentrating more on my feet as I moved and my hand were a barrier just in case I bumped into anything. This work shop helped me understand how a blind person might move and how they might react to sound differently, and I tried to incorporate my findings from this workshop into William’s physicality.

I could not wear a blindfold all the time while rehearsing so I had to adjust to being blind without one. For this to be believable, I spent a lot of time perfecting what my eyes should be doing. Murray believes that ‘the best way to portray blindness is not with closed eyes, but with a soft eye  focus, which takes practice to perfect’ (Murray: Online). While performing I tried to relax my muscles in my eyes and gaze past the person speaking to me to give the illusion that I can not see. At first I found it difficult not to look directly at a person, especially if they moved suddenly, but in time I believe I perfected this. Pretending to be blind and giving a believable performance was very challenging for me as an actor. I took inspiration from the actor Al Pacino from the film Scent of a Women (1992). From watching another sighted actor play a blind person and noting their mannerisms, helped my own performance as a blind man.

Work cited

Murray, E (no date) Acting Tips for Portraying Blind Characters. Available at: http://www.ehow.com/list_7239986_acting-tips-portraying-blind-characters.html (Accessed: 1 May 2013).

Character Devolopment.

As the rehearsals progress I have started to make a personal connection with my character. Miller states that ‘if the specifics are not stated or implied in the dialogue, as actors you are free to make any choices you wish regarding the given circumstances’ (Miller, 2010: p. 48). Our script is a devised script and with no playwright to propose a backstory for my character, I have taken the liberty to devise one myself. I have kept in mind what my character has said about himself through dialogue in the script so my biography does not contradict what has already been written. Miller writes that ‘whatever you select, however, the choices must be justified by the script, or not to contradict the script in any way’ (ibid). Through reflection on who I think my character is and how I think I should play my character I have written a short character biography. The biography is as follows:

My Mother died during childbirth so as I was growing up in a small village near the castle it was just my Father and I living together. My Mother was ill while she was carrying me and I was blind from birth. I never thought I was unfortunate, because I did not know any better I accepted my condition. My Father and I are close, he had small job playing the piano at an Inn near the village and every night I would go listen to him play. He taught me everything about the instrument from tuning to playing and I instantly fell in love with music. As the years went by taxes went up and eventually I had to find a job to help keep the house. After a few months searching for jobs, I heard about a position in the castle for piano tuner. The job was paying well but the downside to the job description was it would be for a year and that the piano tuner would have to stay on the premises. My Father did not want me to leave he kept saying “we will be ok” and “I’ll find the money somehow”. We needed the money desperately and so to save our family house I took up position despite my Father’s pleas. I promised him I would visit as much as possible and although I could sense he was upset and reluctant he allowed me to leave.

These are my character’s given circumstances that I have gave my self. Miller writes that ‘given circumstances should be chosen because they make the story as exciting as possible’ (ibid).  The reason I have taken the time to write a character biography is to make my character more three-dimensional thus making my character more enjoyable to play and watch.

Works cited

Miller, Bruce. (2010) The Scene Study Book: Roadmap To Success. USA, Limelight Editions.

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